A few years ago, a mother and father decided they needed a break, so they wanted to head out for a night on the town. They called their most trusted babysitter. When the babysitter arrived, the two children were already fast asleep in bed. So the babysitter just got to sit around and make sure everything was okay with the children. Later that night, the babysitter got bored and went to watch TV, but she couldn't watch it downstairs because they did not have cable downstairs (the parents didn't want children watching too much garbage). So, she called them and asked them if she could watch cable in the parent's room. Of course, the parents said it was ok, but the babysitter had one final request… she asked if she could cover up the angel statue outside the bedroom window with a blanket or cloth, at the very least close the blinds, because it made her nervous. The phone line was silent for a moment, and the father who was talking to the babysitter at the time said, "Take the children and get out of the house… we will call the police. We do not have an angel statue."

The police found all three of the house occupants dead within three minutes of the call. No statue was found.

So do any of you remember those Mickey Mouse cartoons from the 1930s? The ones that were just put out on DVDa few years ago? Well, I hear there is one that was unreleased to even the most avid classic disney fans. According to sources, it's nothing special. It's just a continuous loop (like flinstones) of mickey walking past 6 buildings that goes on for two or three minutes before fading out. Unlike the cutesy tunes put in though, the song on this cartoon was not a song at all, just a constant banging on a piano as if the keys for a minute and a half before going to white noise for the remainder of the film. It wasn't the jolly old Mickey we've come to love either, Mickey wasn't dancing, not even smiling, just kind of walking as if you or I were walking, with a normal facial expression, but for some reason his head tilted side to side as he kept this dismal look. Up until a year or two ago, everyone believed that after it cut to black and that was it.

When Leonard Maltin was reviewing the cartoon to be put in the complete series, he decided it was too junk to be on the DVD, but wanted to have a digital copy due to the fact that it was a creation of Walt. When he had a digitized version up on his computer to look at the file, he noticed something. The cartoon was actually 9 minutes and 4 seconds long. This is what my source emailed to me, in full (he is a personal assistant of one of the higher executives at Disney, and acquaintance of Mr. Maltin himself)

After it cut to black, it stayed like that until the 6th minute, before going back into Mickey walking. The sound was different this time. It was a murmur. It wasn't a language, but more like a gurgled cry. As the noise got more indistinguishable and loud over the next minute, the picture began to get weird. The sidewalk started to go in directions that seemed impossible based on the physics of Mickeys walking. And the dismal face of the mouse was slowly curling into a smirk. On the 7th minute, the murmur turned into a bloodcurdling scream (the kind of scream painful to hear) and the picture was getting more obscure. Colors were happening that shouldn't have been possible at the time. Mickey face began to fall apart. his eyes rolled on the bottom of his chin like two marbles in a fishbowl, and his curled smile was pointing upward on the left side of his face.

The buildings became rubble floating in midair and the sidewalk was still impossibly navigating in warped directions, a few seeming inconcievable with what we, as humans, know about direction. Mr. Maltin got disturbed and left the room, sending an employee to finish the video and take notes of everything happening up until the last second, and afterward immediately store the disc of the cartoon into the vault. This distorted screaming lasted until 8 minutes and a few seconds in, and then it abruptly cuts to the mickey mouse face at the credits of the end of every video with what sounded like a broken music box playing in the backround.

This happened for about 30 seconds, and whatever was in that remaining 30 seconds I heaven't been able to get a sliver of information. From a security guard working under me who was making rounds outside of that room, I was told that after the last frame, the employee stumbled out of the room with pale skin saying "Real suffering is not known" 7 times before taking the guards pistol and committing suicide. The thing I could get out of Leonard Maltin was that the last frame was a piece of russian text that roughly said "the sights of hell bring its viewers back in". As far as I know, no one else has seen it, but there have been dozens of attempts at getting the file on rapidshare by employees inside the studios, all of whom have been promptly terminated of their jobs. If you find this film, do not watch it.

dazugehöriges video gibts auf yt unter 'suicidemouse' zu finden.

There was a couple from Texas who was planning a weekend trip across the Mexican border for a shopping spree. At the last minute, their baby-sitter canceled, so they had to bring along their two year old son with them. They had been across the border for an hour when the boy got free and ran around the corner. The mother tried to find him, but he was missing. The mother found a police officer who told her to go to the gate and wait. Not really understanding the instructions, she did as she was told.

About 45 minutes later, a Mexican man approached the border, carrying the boy. The mother ran to him, grateful that he had been found. When the man realized it was the boy's mother, he dropped him and ran. The police were waiting for him. The boy was dead, and in the 45 minutes he was missing, he had been cut open, all of his organs removed, and stuffed with bags of cocaine. The man was going to carry him across the border as if he were asleep.

bei dem musste ich irgendwie lachen

Last year I spent six months participating in what I was told was a psychological experiment. I found an ad in my local paper looking for imaginative people looking to make good money, and since it was the only ad that week that I was remotely qualified for, I gave them a call and we arranged an interview.

They told me that all I would have to do is stay in a room, alone, with sensors attached to my head to read my brain activity, and while I was there I would visualize a double of myself. They called it my "tulpa".

It seemed easy enough, and I agreed to do it as soon as they told me how much I would be paid. And the next day, I began. They brought me to a simple room and gave me a bed, then attached sensors to my head and hooked them into a little black box on the table beside me. They talked me through the process of visualizing my double again, and explained that if I got bored or restless, instead of moving around, I should visualize my double moving around, or try to interact with him, and so on. The idea was to keep him with me the entire time I was in the room.

I had trouble with it for the first few days. It was more controlled than any sort of daydreaming I'd done before. I'd imagine my double for a few minutes, then grow distracted. But by the fourth day, I could manage to keep him "present" for the entire six hours. They told me I was doing very well.

The second week, they gave me a different room, with wall-mounted speakers. They told me they wanted to see if I could still keep the tulpa with me in spite of distracting stimuli. The music was discordant, ugly and unsettling, and it made the process a little more difficult, but I managed nonetheless. The next week they played even more unsettling music, punctuated with shrieks, feedback loops, what sounded like an old school modem dialing up, and guttural voices speaking some foreign language. I just laughed it off - I was a pro by then.

After about a month, I started to get bored. To liven things up, I started interacting with my doppelganger. We'd have conversations, or play rock-paper-scissors, or I'd imagine him juggling, or break-dancing, or whatever caught my fancy. I asked the researchers if my foolishness would adversely affect their study, but they encouraged me.

So we played, and communicated, and that was fun for a while. And then it got a little strange. I was telling him about my first date one day, and he corrected me. I'd said my date was wearing a yellow top, and he told me it was a green one. I thought about it for a second, and realized he was right. It creeped me out, and after my shift that day, I talked to the researchers about it. "You're using the thought-form to access your subconscious," they explained. "You knew on some level that you were wrong, and you subconsciously corrected yourself."

What had been creepy was suddenly cool. I was talking to my subconscious! It took some practice, but I found that I could question my tulpa and access all sorts of memories. I could make it quote whole pages of books I'd read once, years before, or things I was taught and immediately forgot in high school. It was awesome.

That was around the time I started "calling up" my double outside of the research center. Not often at first, but I was so used to imagining him by now that it almost seemed odd to not see him. So whenever I was bored, I'd visualize my double. Eventually I started doing it almost all the time. It was amusing to take him along like an invisible friend. I imagined him when I was hanging out with friends, or visiting my mom, I even brought him along on a date once. I didn't need to speak aloud to him, so I was able to carry out conversations with him and no one was the wiser.

I know that sounds strange, but it was fun. Not only was he a walking repository of everything I knew and everything I had forgotten, he also seemed more in touch with me than I did at times. He had an uncanny grasp of the minutiae of body language that I didn't even realize I was picking up on. For example, I'd thought the date I brought him along on was going badly, but he pointed out how she was laughing a little too hard at my jokes, and leaning towards me as I spoke, and a bunch of other subtle clues I wasn't consciously picking up on. I listened, and let's just say that that date went very well.

By the time I'd been at the research center for four months, he was with my constantly. The researchers approached me one day after my shift, and asked me if I'd stopped visualizing him. I denied it, and they seemed pleased. I silently asked my double if he knew what prompted that, but he just shrugged it off. So did I.

I withdrew a little from the world at that point. I was having trouble relating to people. It seemed to me that they were so confused and unsure of themselves, while I had a manifestation of myself to confer with. It made socializing awkward. Nobody else seemed aware of the reasons behind their actions, why some things made them mad and others made them laugh. They didn't know what moved them. But I did - or at least, I could ask myself and get an answer.

A friend confronted me one evening. He pounded at the door until I answered it, and came in fuming and swearing up a storm. "You haven't answered when I called you in fucking weeks, you dick!" He yelled. "What's your fucking problem?"

I was about to apologize to him, and probably would have offered to hit the bars with him that night, but my tulpa grew suddenly furious. "Hit him," it said, and before I knew what I was doing, I had. I heard his nose break. He fell to the floor and came up swinging, and we beat each other up and down my apartment. I was more furious then than I have ever been, and I was not merciful. I knocked him to the ground and gave him two savage kicks to the ribs, and that was when he fled, hunched over and sobbing.

The police were by a few minutes later, but I told them that he had been the instigator, and since he wasn't around to refute me, they let me off with a warning. My tulpa was grinning the entire time. We spent the night crowing about my victory and sneering over how badly I'd beaten my friend.

It wasn't until the next morning, when I was checking out my black eye and cut lip in the mirror, that I remembered what had set me off. My double was the one who'd grown furious, not me. I'd been feeling guilty and a little ashamed, but he'd goaded me into a vicious fight with a concerned friend. He was present, of course, and knew my thoughts. "You don't need him anymore. You don't need anyone else," he told me, and I felt my skin crawl.

I explained all this to the researchers who employed me, but they just laughed it off. "You can't be scared of something that you're imagining," one told me. My double stood beside him, and nodded his head, then smirked at me.

I tried to take their words to heart, but over the next few days I found myself growing more and more anxious around my tulpa, and it seemed that he was changing. He looked taller, and more menacing. His eyes twinkled with mischief, and I saw malice in his constant smile. No job was worth losing my mind over, I decided. If he was out of control, I'd put him down. I was so used to him at that point that visualizing him was an automatic process, so I started trying my damnedest to not visualize him. It took a few days, but it started to work somewhat. I could get rid of him for hours at a time. But every time he came back, he seemed worse. His skin seemed ashen, his teeth more pointed. He hissed and gibbered and threatened and swore. The discordant music I'd been listening to for months seemed to accompany him everywhere. Even when I was at home - I'd relax and slip up, no longer concentrating on not seeing him, and there he'd be, and that howling noise with him.

I was still visiting the research center and spending my six hours there. I needed the money, and I thought they weren't aware that I was now actively not visualizing my tulpa. I was wrong. After my shift one day, about five and a half months in, two impressively men grabbed and restrained me, and someone in a lab coat jabbed a hypodermic needle into me.

I woke up from my stupor back in the room, strapped into the bed, music blaring, with my doppelganger standing over me cackling. He hardly looked human anymore. His features were twisted. His eyes were sunken in their sockets and filmed over like a corpse's. He was much taller than me, but hunched over. His hands were twisted, and the fingernails were like talons. He was, in short, fucking terrifying. I tried to will him away, but I just couldn't seem to concentrate. He giggled, and tapped the IV in my arm. I thrashed in my restraints as best I could, but could hardly move at all.

"They're pumping you full of the good shit, I think. How's the mind? All fuzzy?" He leaned closer and closer as he spoke. I gagged; his breath smelt like spoiled meat. I tried to focus, but couldn't banish him.

The next few weeks were terrible. Every so often, someone in a doctor's coat would come in and inject me with something, or force-feed me a pill. They kept me dizzy and unfocused, and sometimes left me hallucinating or delusional. My thoughtform was still present, constantly mocking. He interacted with, or perhaps caused, my delusions. I hallucinated that my mother was there, scolding me, and then he cut her throat and her blood showered me. It was so real that I could taste it.

The doctors never spoke to me. I begged at times, screamed, hurled invectives, demanded answers. They never spoke to me. They may have talked to my tulpa, my personal monster. I'm not sure. I was so doped and confused that it may have just been more delusion, but I remember them talking with him. I grew convinced that he was the real one, and I was the thoughtform. He encouraged that line of thought at times, mocked me at others.

Another thing that I pray was a delusion: he could touch me. More than that, he could hurt me. He'd poke and prod at me if he felt I wasn't paying enough attention to him. Once he grabbed my testicles and squeezed until I told him I loved him. Another time, he slashed my forearm with one of his talons. I still have a scar - most days I can convince myself that I injured myself, and just hallucinated that he was responsible. Most days.

Then one day, while he was telling me a story about how he was going to gut everyone I loved, starting with my sister, he paused. A querulous look crossed his face, and reached out and touched my head. Like my mother used to when I was feverish. He stayed still for a long moment, and then smiled. "All thoughts are creative," he told me. Then he walked out the door.

Three hours later, I was given an injection, and passed out. I awoke unrestrained. Shaking, I made my way to the door and found it unlocked. I walked out into the empty hallway, and then ran. I stumbled more than once, but I made it down the stairs and out into the lot behind the building. There, I collapsed, weeping like a child. I knew I had to keep moving, but I couldn't manage it.

I got home eventually - I don't remember how. I locked the door, and shoved a dresser against it, took a long shower, and slept for a day and a half. Nobody came for me in the night, and nobody came the next day, or the one after that. It was over. I'd spent a week locked in that room, but it had felt like a century. I'd withdrawn so much from my life beforehand that nobody had even known I was missing.

The police didn't find anything. The research center was empty when they searched it. The paper trail fell apart. The names I'd given them were aliases. Even the money I'd received was apparently untraceable.

I recovered as much as one can. I don't leave the house much, and I have panic attacks when I do. I cry a lot. I don't sleep much, and my nightmares are terrible. It's over, I tell myself. I survived. I use the concentration those bastards taught me to convince myself. It works, sometimes.

Not today, though. Three days ago, I got a phone call from my mother. There's been a tragedy. My sister's the latest victim in a spree of killings, the police say. The perpetrator mugs his victims, then guts them.

The funeral was this afternoon. It was as lovely a service as a funeral can be, I suppose. I was a little distracted, though. All I could hear was music coming from somewhere distant. Discordant, unsettling stuff, that sounds like feedback, and shrieking, and a modem dialing up. I hear it still - a little louder now.

In Berlin, after World War II, money was short, supplies were tight, and it seemed like everyone was hungry. At that time, people were telling the tale of a young woman who saw a blind man picking his way through a crowd. The two started to talk. The man asked her for a favor: could she deliver the letter to the address on the envelope? Well, it was on her way home, so she agreed.

She started out to deliver the message, when she turned around to see if there was anything else the blind man needed. But she spotted him hurrying through the crowd without his smoked glasses or white cane. Shewas, naturally, suspicious, so she went to the police.

When the police paid a visit to the address on the envelope, they made a gruesome discovery, 3 butchers had been harvesting human flesh and selling it to the starving people.

And what was in the envelope the man gave to the woman? A note, saying simply "This is the last one I am sending you today."